Inspiring News Articles
Excerpts of Highly Inspiring News Articles in Major Media
Below are one-paragraph excerpts of highly inspiring news articles from the major media. Links are provided to the original inspiring news articles on their media websites. If any link fails, read this webpage. The most inspiring news articles are listed first. You can also explore the news articles listed by order of the date posted. For an abundance of other highly inspiring material, see our Inspiring Resources page. May these inspiring news articles inspire us to find ever more ways to love and support each other and all around us to be the very best we can be.
Forty-five-year-old Richard Renaldi is looking for someone -- two someones, actually. Two total strangers who were meant to be together, if only for a moment. Richard is a New York photographer working on a series of portraits. For each shot he grabs strangers off the street -- like Jenny Wood, an airline employee from Virginia, and Dominek Tucker, a college student from Brooklyn -- and poses them like adoring family. Richard calls the project "Touching Strangers." He started shooting it six years ago and now has hundreds of portraits of these unlikely intimates. Richard puts the people in these poses, but the sentiment that seems to shine through is real -- at least so say the subjects. At first, Brian Sneeden, a poetry teacher, saw no rhyme or reason for posing with 95-year-old retried fashion designer Reiko Ehrman, but eventually he, too, felt a change. "I felt like I cared for her," Brian says. "I felt like it brought down a lot of barriers." Pretty much everyone shared that same sentiment. "Everyone seems to come away with kind of a good feeling," Richard says. "It's kind of lovely. It's lovely." Most photographers capture life as it is, but in these strangers, Richard Renaldi has captured something much more ethereal and elusive. He shows us humanity as it could be -- as most of us wish it would be -- and as it was, at least for those one fleeting moments in time.
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The new film “Samsara” ranges across the globe: there are fantastical tiered temples in verdant Myanmar and glorious Japanese mohawks, the natural wonders of Namibian sand dunes and orderly production lines of modern agribusiness in China and Europe. The locations are unnamed, and a rich, varied score is heard instead of political or social commentary. One striking image flows into the next, loosely organized according to the cyclical Hindu notion of birth and destruction that gives the film its Sanskrit title. But in an era when the Internet and television overflow with eye-popping imagery from around the world, [“Samsara” ] is a twofold throwback. For one, it is shot in grand, rarely used 70 millimeter, a medium invented for [widescreen cinema]. In its mission, too, there is something old-fashioned about “Samsara.” Though touched with a certain spiritual mindfulness, the film is not intended to send a message. That’s a departure from similarly expansive, globally conscious nonfiction films in vogue now. And though [Ron Fricke, who directed and shot “Samsara,”] views the ambitious chronicles of “Samsara” as beyond documentary, audiences may approach that global tour with expectations molded by the flood of recent films that present Earth and its diversity as something in need of saving, not just gazing. The perspective of “Samsara” could instead be called cosmic, and its goals primarily aesthetic. “Our film is more about feelings and an inner journey than an intellectual experience,” Mark Magidson, who produced and co-edited the film, [said]. “We’re not trying to say anything.”
Note: Samsara was the highest grossing documentary release of 2012. To watch this hauntingly beautiful and politically poignant documentary online, click here. For a treasure trove of great news articles which will inspire you to make a difference, click here.
